044: The Lavender, The Milk, and The Turf they Share

 

Two hemispheres of lavender
purple parentheses
two currents of clover blooms clockwise cranking,
head after tail after head
royal field
around the base of a
bulb
globe
Dogwood
crosssections
up, down, right, left,
tangledrootedin
green below and between
buffer of fertility
Dogwood smells like the clover’s type
clover erect like the Dogwood’s type
bent toward one another
white fire rises in a tear-dropped bush
blood spills on the earth bellow
wind blows green between leaves

an Old Irish song
&
a future Easter
& spring.

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For newcomers — a note on 50 @ 25:

Once upon a time, I read that the perfect age for writing quality poetry is twenty-three.  Apparently most of T.S. Elliot’s stuff came out then, the rest of his work being supposedly non-poetic. This resulted in 46 poems written at 23

These poems came out exponentially faster and faster before my 24th birthday on April 30th – and I had to write in genres spanning from epic ballads to limericks to get 46 in on time. I guess that means, for better or worse, that’s the best poetry I’ll ever write. Sad day.

Who was I kidding?

Milton was blind and oldoooooold—when he publishedParadise Regained. Emily Dickenson was dead when her stuff came out. My favorite stuff from T.S. Elliot came out after his conversion. So yeah, old age is good for poetry too. Look at Burns and Berry.

(Side note: the name “Berry Burns” sounds like a shady car salesman).

Will I keep up this twice-my-age regimen every few years? Who knows, but this year, here’s to 50 poems at 25 to be written exponentially faster until I turn 26 on April Thirtyish. I do it this the second time around as a way to say: “Here’s to living life well before it’s too late.”


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