The man in black fled across the desert and the gunslinger followed.
With that, King opens his seven-part Dark Tower series–an undertaking he originally hoped would create “the largest work of popular fiction in history.” I’m unsure as to what I expected with this one, but I received something else. Perhaps I looked for Tolkien or Lewis or McCaffrey or Herbert or Rothfuss or Martin or something.
I should have known better…
You regulars know my fascination with King’s nonfiction articles, criticism, On Writing and now Danse Macabre. Halfway through Danse Macabre, I realized that I had yet to read any of King’s fiction. Even though I consider screenplays to qualify as “literature” (Maximum Overdrive, 1408, The Shining, Firestarter, The Green Mile, Shawshank, etc) – Shame. On. Me.
The bleak environment of this first world did what he set out to do–it demonstrated the sheer size of the universe. In scope alone, this series already feels epic and the mere concept of gunslingers, of an order of fighters who work their way up to earning guns, fits Americana. We are not a people of samurai, ninjas or knights. We’re a nation of cowboys, indians and pirates. Gunslingers fit our soul. Continue reading
















