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May 11 2012
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censored opinions, Storyssentials, The Writing Life, Writing

Storyssentials: Sentence

Brevity and depth–that’s what you can expect from this post if you reflect.

It would seem trivial to call “sentences” essential bits of story. Part of this comes from people who assume that writers toil for words. Photographers use photoshop, but they toil for photos. Graphic designers use illustrator, but they toil for graphics. Writers use words, but they toil for stories. The medium of a writer is story-essence, not words. Because of this, I ask one thing today: what do stories teach us about sentences and what can sentences teach us about stories?

Three key parts of a sentence follow:

  1. Subject
  2. Verb
  3. Ending

That sounds stupid, but hang with me. We’re building off of what we assume. By “ending” I don’t mean “object.” I mean what word ends your statement? Sentences are microcosms of story. Your understanding of how they work reflects your story-consciousness. The most important part of the story is the subject, or the protagonist. The second most important part of the story is the verbage, the escalation of conflict, what the subject chooses to do. The third is the climax and resolution. What goal is the protagonist working toward? Do they succeed? Continue reading →

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Apr 09 2012
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creativity, impulsive pastimes, production, Storyssentials, The Writing Life, Writing

On May First, I Work For Free

What May Day means for me:

From Chicago to Paris to New York City, the History of May Day seasons our past with workers’ revolutions. This May first, millions of people worldwide will take part in a General Strike against a broken system, asking the question: what would a day be like without 99% of us? Those who suffer under economic injustice will refuse to work, go to school, do housework or even shop. Instead they’ll hit the streets.

Those who enjoy their work – freelancers like me – will still work all day, but for free. Consider it a one-day jubilee where everyone gets a holiday and a hall pass. On May Day I will offer my writing, editing and story consultation services but I won’t charge you a cent.

What May Day means for you:

Some of you have procrastinated hearing critique on your screenplays and stories. Others of you wanted my help, but because of life circumstances you couldn’t afford my rates. On May 1st, I remove the roadblocks of procrastination and price so that we can get your ball rolling together. You get what you need, but for free.

Here’s how it will work:

Continue reading →

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Mar 30 2012
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book review, censored opinions, creativity, Entertainment, literature, production, Proper Usage, Storyssentials, The Writing Life, Writing

Twenty Three Reads for Writers

My writing journey continually morphs this list. At times it included books like this or this, while at others it held books like this and this. These twenty-three whip me back into shape more consistently than any others. I classified each into one of nine categories – story construction, literary symbolism, poetry, editing, writing & life, fear in writing, philosophy, literary agency or social media.

(I’ve also peppered minimalistic images throughout from great stories).

  1. The Hero with a Thousand Faces by Joseph Campbell (story construction) first clued me in to the basic arc within all stories – the voyage and return. The hero journeys out from the norm into the unknown, suffers trials and returns to society with some gift like enlightenment or a magic item that will somehow help society. Campbell can be best described either as a panentheistic transcendentalist or as a neo-western Hindu.
  2. The Seven Basic Plots by Christopher Booker (story construction) takes Continue reading →
Mar 05 2012
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article review, book review, C.S. Lewis, Cities, Entertainment, film, humor, impulsive pastimes, literary interpretation, literature, movie review, New York City, news, poetry, Religion, Storyssentials, The Writing Life, Tolkien, travel, Writing

Small Demons Preview

Thanks to Yewknee for sharing Small Demons with me back in October. I refrained from sharing with all of you Literators back then because, frankly, there was so little to share. Sometimes beta-testing looks like questing with your half-orc across frozen wastelands until the game glitches and dies, sometimes it looks like stress-testing Google Wave.

At other times it looks like this:

…

…

…

So I’ve been waiting and waiting for Small Demons to put enough content up for me to share it with all of you. Today’s the day.

Here goes:

Continue reading →

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Mar 02 2012
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censored opinions, Entertainment, Storyssentials, The Writing Life, Writing

Storyssentials: Inciting Incident

Pull the trigger. Boy meets girl. Light the fuse. Revolution. A specific baby is born. Car wreck. Card turns face up: Ace of Spades.

All of these start something. They jar the reader or viewer or listener by radically upsetting the equilibrium in the world of the protagonist, turning over tables, shifting everything over the top of a fault line. We might call the inciting incident an “exciting event” or a “kindling circumstance” or even an “arousing affair.” I choose these three combinations for more than just synonymous relationship. The inciting incident must excite, kindle and arouse. Continue reading →

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Feb 17 2012
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censored opinions, Entertainment, literature, Storyssentials, The Writing Life, Writing

Storyssentials: World Building

Ever look at one of these, these, these or these?

Fantasy writers perfect cartography. We have Tolkien to think for that, for he coined the phrase “cartographic writing” – writing from the map. You create the world, the mythology of the world and then you write with a character inside that world. Unfortunately, many fantasy writers focus so long on the what and the where that they neglect the who and the why questions. Good answers to these questions create great stories. Today, we turn to the fantasy writers to teach us about trade, authority, ceremony, and ethics.

Trade

What can your characters do to make a living? Awhile back on Twitter, I asked people to list out medieval professions. Piper, Karl, Matt and I came up with the following list:

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Feb 10 2012
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censored opinions, film, Storyssentials, The Writing Life, Writing

Storyssentials: Antagonize

When I was young, my brother and I could get one another into trouble if we needed attention or if life bored us. My brother would steal stuff and hide it, I would give him wedgies or worse. I laugh now because I strive to lead a peaceful home, strive to keep my cool and strive to plant gentleness and joy and ultimately fun wherever I go. But that’s not always the case.

Unfortunately sometimes, just like then, I get bored or need attention or need to feel heard or ache for respect and honor. When I was a kid, I’d give my little brother a wedgie or hide a bag full of his year-old Halloween candy and call it good. Mom’s response?

Quit antagonizing your brother!

She meant, “Quit escalating things, Lance. Quit stirring crap up. Quit harassing him – especially since the tone of our household was peaceful/fun/creative/controlled/kind a moment ago. Antagonism escalates things at home, in interpersonal conversation, in the world and basically everywhere else. But what antagonism achieves is integrity. I’m using “integrity” broader than normal. Normally I mean  integrated, whole, uncompromising, good. For the characters in your novel I mean consistent. The framework. Integrity, for our purposes here, means what lies at the core. Want to see consistently what kind of man I am? Look at what I chose to do when my brother or best friend or wife or father or school antagonized me and opposed what I wanted most. That’s the measure of my integrity – my choices when faced with antagonism.

Your protagonist is only as good as your antagonist.

Continue reading →

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Feb 03 2012
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censored opinions, Entertainment, literature, Storyssentials, The Writing Life, Writing

Storyssentials: Emotional Structure

Our stories breed three species of emotion.

These three species unearth the temperament of our stories and life perspective as we write. One species, the Cynic, rides the downward trend of the world. The Cynic sees everything ending stoic and stark. Another, the Visionary, envisions an uphill battle. There’s a hill to charge. Once we take it and stand on top, we shall all be kings. The last species, the Paradoxical, trusts neither in hope nor revels in despair but meditates on the fascinating contradiction called “life.” He thinks you can get your true love, but only if you die for her. You might achieve success in the financial world, but only after you sell your soul. You could earn honor for your family by submitting yourself to public disgrace.

These three species (The Cynic, The Visionary, The Paradoxical) influence every realm of story: novels, screenplays, plays, documentaries, old radio, commercials, TV series, the miniseries and narrative performance art. They “prove” their ideas through subtle swelling swings in emotion:

Whatever drives your current work, whatever thought you aspire to smuggle into your audience’s mind, start on the opposite end of the emotional spectrum. Your story will swing wider and deeper, back and forth between the positive and negative ends of your story spectrum until climax. Some stories end up, some end down and some end with the bittersweetness of real life – both beautiful and grotesque, wonderful and awful. Continue reading →

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Jan 27 2012
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censored opinions, literature, Storyssentials, The Writing Life, Writing

Storyssentials: Protagonist

Ever watch a fat soprano shatter a wine glass with her voice?

It’s called resonant frequency – the pitch at which something vibrates. Everything has it – the table I’m typing on, the car keys hanging from my carribeaner and the engine block on my car that, judging by the smell of burning rubber, may or may not need a check up.

Friggin’ serpentine belts…

Vocal chords vibrate a column of air to its resonant frequency, allowing the sound to fill your mouth with song and then enter the world by leaving your sound hole. I wonder if musical mothers ever use that phrase in vain? “Shut your sound hole!” If the frequency exiting your sound hole matches the exact resonant frequency of, say, a glass? BUM-CHINSH go shards and wine all over your table.

The glass says “that sounds like me” and explodes in an emotional encounter. Protagonists are the songs we writers sing, the notes that resonate deep in the caverns of our readership’s soul. Each of us is a glass begging to find something that “sounds like me.”

Protagonists come good or bad, evil or righteous, living right or dead wrong. They can be rich or poor, powerful or weak, accepted or rejected. Regardless of looks, they must resonate. They must sound like us often enough that when their story finds the breaking point at climax, we too shatter. Analysts dub that phenomenon “catharsis” – our human desire to discharge emotion in one satisfying purge.

I offer four solid words to describe protagonists: volition, ambition, predisposition, qualification, and fortune. Continue reading →

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Jan 20 2012
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censored opinions, Entertainment, Storyssentials, The Writing Life, Writing

Storyssentials: Research

All good stories start like all good speeches – in the hard chair. You know the kind: wooden, no thoracic support on your back, flat on your butt. You will shift in this chair once every twelve minutes. If you don’t shift in this chair once every twelve minutes, it’s because we’re talking about two entirely different chairs.

Hard chairs seldom occupy our living rooms and dens. They hide out in libraries, coffee shops, and offices. In the hard chair, we dig through slush piles of info, hoping to find diamonds in the rough. In the hard chair, we prep for the soft chairs.

Here’s the thing: I used to believe in writer’s block. Then Rothfuss said, “Plumbers don’t get plumber’s block,” and I started to think, “Well yeah, but…”

Aspiring writers say, “I have nothing to write about.” Maxwell recounts how people come up to him declaring their aspirations to write. He asks them what they’ve written and they typically answer, “nothing yet, but I’ve got a lot of ideas.” Maxwell’s response?

Writers write. Painters paint. Leaders lead. You want to be a writer? Then write.

Yeah, but what about? Whether from fear of jump-starting a career or from “writer’s block,” writers eventually have nothing to write about. They have nothing to say. Research heals that festering wound. Three worlds give us material and we’ve got to travel to all three to get good research. We have to hit the books, dream it up and reminisce. Continue reading →

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