Filed under gergia

Cartography: Our Picture of Us

The Cartographer’s Guild encouraged me in my map making. Since then I noticed how maps disinter our understanding of the world. Maps do not show us where things are or where things were. They reveal who we are and how we think.

Take Hecataeus:

He’s missing a couple two or three continents. His world is all he sees.
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Wood, Brass and Leather

As an aficionado of Gilded Age America, I covet all things wood, brass and leather. I made a board about it on my Pinterest immediately after receiving my confirmation e-mail last June. If you scroll through, you’ll see a lot of steampunk but that’s only because steam-punky things take up a very small sliver of Gilded Age lore. There’s also tons of stuff you might find at The Art of Manliness site or even the old Whiskerino themes. Basically, some day I want to work in an office that crosses that of Indiana Jones:

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46 @ 23: The Man Who Could Fly, But Feared To Land (#23)

Once upon a time, I read that the perfect age for writing quality poetry is twenty-three.  Apparently most of T.S. Elliot’s stuff came out then, the rest having to do with prose. I realized January 19ththat I will turn twenty-four in three months, and since I started writing some poems before it’s too late: forty-six poems at twenty-three.  I’ll post each Friday until the last week of March, then I’ll post one a day until my birthday on April 30th.  Here’s number 23:

The Man Who Could Fly had abandoned his hope
When the sun rose in colors of slate
He ached for the world he aspired to save
As black stratus rolled in on a slope
Not for our wretched deflated events,
Nor for our own pessimists
But for the rest of his body’s support
Did he wish for another new force.

He  had giant wings that glided fair well,
His back muscles flapping both strong
But none of the rest of his figure supported
The sound of that unhappy song
When he hoisted up, he flew overhead
Above stratus, puffed cumulous clouds
His breathing adjusted to his dizzy head
But still did he feel unindowed

The problem came forth while descending to land
With grass, hills, treetips rushing forth
He hadn’t a way to slow down or to berth
He hit, then heard grinding like sand
His femur collapsed under gravity’s force
His tibula turned into twigs
His ribcage collapsed when his torso attended
His lower half, melting like snow.

And in his degenerate landing-gear mode
A crowd gathered round just to sneer:
“We asked you to save us, to fly us all home!”
He cried over burst landing gear.

SOTB 010: The Flirty Fletcher

One man came o’er from Glen Cagny
He’s known as but a fletcher
He’s famed throughout all London, though
He’s only still a fletcher
The King, The Queen both use his stock
Their arrows come from Fletcher
But even though they never mock him
He remains a fletcher.
Quite soon indeed, his fame soon spread
“Come one, Come all for Fletcher!”
And such a fame went to his head,
That poor old, country fletcher.
He started wooing West-born maids
(A bold move for a fletcher)
Each one a beauty! Each one new!
Thought our flirtatious fletcher.
The Maid of Florris! Tailor Peace!
All seemed to draw forth fletcher,
For each would please him, each be true,
Or so thought flirty fletcher.
And he was shamed, again, again
As only could a fletcher
Until one day walked in a wood
Not as “on duty” fletcher
He went to vent to trees to Ents
They groaned with groaning fletcher
‘Till finally came a light, a scent
That ‘chanted “come here, Fletcher”
A lady dressed as if the sun
Shined forth to calm the fletcher
“I’m Lady Ewe, The Archer Maid
And I have seen you, Fletcher.
You’ve flirted with a thousand dames,
But none wanted a fletcher
For feathers on an arrow’s shaft
Charms not Westhelm maids, dear fletcher.”
“I know! I know! I truly know!”
Cried out the mourning fletcher
“I need a woman of the bow,
A maid of Ewe, I’ll fetch her!”
And as he said these words of show
A coy grin smote the fletcher
He gazed upon Princess of Ewe
Bow-Lady needing fletcher
And flirting now between the two
An eastern wind would catch her
And low behold the story goes
Between Miss Ewe and Fletcher
Great England won with great Long-Bows
Made by the Maid and Fletcher.

SOTB 004: The Older Ivrian Artist

A homeless man from Ivria
Had known the sewers well
For he had known the sounds of halls
Made thick for shipping hell
He swam the slush of others’ junk
And listen to the sound
He came to love the melody
And let it make the rounds

Till one lone day he found a brush
And used some excess paint
He painted all the sewer walls
And made fun from the quaint
See he too came from Ivria
He too hailed from the west
His father was a working man
A workin’ for the least
But in his workaholic mode
He met none of sons’ needs
And in so doing broke the code
Of raising family

But though he landed in the dump
Though dwelled in swamp refuse
He took surroundings, pulled the trump card
With what could be used
Some wilted roses mashed & mixed
Some melted cheese with mold
Some ancient copper now turned green
Some blueberries now cold
Some violets from smashed pottery
Some white from rice-stained pans
All colors of his rainbow came
And soon found hue in hand

And as he painted on the walls
(Long after warrior came)
The mural drew the herald’s calls
To spread the painting’s fame
All Scotland came to see the sight
(And some from clover fields)
This eastern beggar turned it right
Because of artist’s zeal
He made some from admission’s price
To fund his brother’s stay
And found a cottage warm & nice
For wooing forth a dame

He only lived for those he loved
He lived not for the fame
And by divine-bred grace above
He painted all the same

STOB 002: The Maid of Florris

She had a heart, a heart of gold
But few would ever know
She walks with feather feet of old
With no weight clear to show.
With bouncing step, with lightened stride
With love to give, to grow
With hearts and hands to give to poor
And every smile to show.

But on a softer afternoon
Oblivious to foes
She entered in a widow’s shop
In culture made of woes
The widow lived on only alms
Lived not on what she sold
Until that point, Maid Florris graced
Each widow with her smile
But some would come from her own race
And murder her work’s diol 

She walked into a shop that day
Along with her own race
They toured long and toured late
But had no plan to stay
Till one grabbed ‘hold a fine earring
Off widow’s fine display
And caught, the young girl flushed out guilt
For widow soon would say:
“You need the money from the sale?
You’d steal from beggars hands?
I know your kind, I know you’re pale!
I see your thieving band!” 

And since she loved and gave so much
And since held widows dear
The maid of Florris died of such
A tragedy, a fear. 

And all would gather to the town
Of Florris for her there
For one lone myth of her was true
Her heart had weight to bear
It rose out of her gracious chest
A golden jewel of hope
It paid for widows and the rest
Of Florris who can’t cope.

SOTB 001: The Bard

I am a bard
A lowly bard to sing a dirge, a melody, a madrigal
And dance, oh dancing freely.

Jack of Trades, they say – they’ll say
To cover other tracks today
For healing one, repair the next
I cover each one’s back
Just long enough.

An elegy of fruit to thee
A Requiem (midsummer’s dream)
And still dear Will can’t run with me
For he was great himself and see
I’m not if left alone.

A song, a song, a prophecy
A dear lament and Oppari
Alone I ride till comes one chord
Of sweet beginings new restort
And form a team which wonderfully
I love till break of dusk.

O Elegy, O prose to be
Please reunite my clan to me
For I am just a lowly bard
An ordinary lyricist
Singing through the years as dearest
People come and people go
And see not by my clan,

The clan! The guild! And ever more
An ordinary perfect score
Bring harmony to life’s last quest
And see me evermore.

I am a bard
A lowly bard to sing this chorus from the heart
Surrounded by the perfect team
And in the middle long I wait
In ordinary humble ways
And notice further past this day
Hemmed in by them for just a split
I emerge extra ordinary.

For I,
I am their bard.